BUJINKANKYU DOJO: WEAPON

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SHURIKEN JUTSU

jueves, 1 de septiembre de 2011

SHURIKEN JUTSU

Togakure Ryu

TE NO UCHI (9 Shuriken are commonly used)

Wearing style:

· Index finger extended forward. · Flexed thumb and forefinger. • Among the knuckles index and middle. • Among the index and middle fingers extended. • Dual: to launch simultaneously with both hands. · Multiple: multiple shuriken in one hand . · full-hand grip: to hit / push.

(Exercising with previous releases with flat stones).

Shuriken Types:

1. SHURIKEN2 BO. HIRA SENBA SHURIKEN SHURIKEN = = SHAKEN (Tepper) Kamae:

(Basic positions to launch)

Shiz - HICHIMONJI - Doko - suwari GATA

Throwing techniques (SHURIKEN NAGE)

Bo Shuriken:

- Short distance (without rotation) from Doko .- Average distance (with a twist) from Doko-YOKO NAGE (as SHUTO URA) - SHUTO OMOTE.

Kihon Happo SENBA SHURIKEN:

1. NO KAMAE Doko - HON NAGE (Vertical).

2. Ichimonji

Nuki Uchi · NAGE (Horizontal) · Henk: Palma down (Horizontal)

3. METSUBISHI - Ichimonji (Horizontal) with parabolic trajectory (or several Shuriken)

4. NO KAMAE Doko - SOTO (Horizontal).

5. SOTO - Palma down (Horizontal).

6. NO KAMAE Doko - Urak NAGE (Vertical) Turning.

7. Jumonji - Sokkia NAGE (Hiza NAGE) (Vertical)

8. NAGE USHIRO - (Vertical)

9. Doko KAMAE NO - No Rotation / Front (Vertical).

NAGE Henk:

1. Launch of two or more simultáneamente.2 Shuriken. KAITEN and launch out of the caída.3. Idem: USHIRO KAITEN.4. YOKO ARUKI: Throw back and forth to desplazarse.5. Forward and back casting (distance) .6. Distancia.7 long shot. Instinctive back - turn - lanzar.8. Behind an obstacle, look - hidden - lanzar.9. Moving Target: precisión.10. Receive a distance Shuriken - pick - launch.

Tai Jutsu:

- Use to hit as SHIKANKEN.

- Pressure after blocking .- Pressure to help dislocated MUTO DORI .-: dodge - launch two or three at once - run .- Boost UKE: USHIRO KAITEN - throw - away .- Project pressing the Shuriken-GANSEKI - .- Against strangulation KUBI USHIRO NAGE: press the Shuriken - throwing seoi NAGE .- Use it to press on: lapel grip / wrist / etc SHURIKEN BO .- (Boshi Ken) on GERI ZENPO attack .- Idem: Techniques SHIN SHIN BO.

Togakure Ryu: SHINOBI GAESHI GATA (Answers once it has been discovered).

- SHIGA GAESHI - On a wall - throw Shuriken - jump across SHIGA .- DORI - On a wall - kick - throw Shuriken - jump across YOKO .- Nagar - (Two UKE) YOKO Nagar - launch - YOKO or USHIRO .- USHIRO Nagar (Three UKE) - METSUBISHI circle - USHIRO Nagar.

- SAYU Kumogakure NO KATA (Hiding in the Clouds) (A left and right) (Two JODAN UKE DAI) METSUBISHI - TOBI suwari - two FUDOKEN - Kosei Kirigakure ZENPO GATA KAITEN .- (Form offensive in the fog). (Circle UKE) METSUBISHI - Shuriken to find a weak spot - ZENPO KAITEN (flight).

SHURIKEN JUTSU (Henke WAZA)

- USHIRO KAITEN (NAGAR TACHI left) throw back.

- Launch TATE NAGE: Begin standing (tachi) and without interruption to keep pitching in and again suwari TACHI (Change in height).

- Working from different releases each Ichimonji SHURIKEN (Keeping Up).

Nuki Uchi - TATE - Sokkia - SOTO - Urak

- ZENPO KAITEN - A behind the exit, turn 360 degrees - throw Shuriken at OMOTE (SOTO) while moving forward.

- Jump: TENCHI TOBI and thrown down.

- Jump: Turn 360 degrees and throw SOTO falling.

- Shifts in launching TOBI SOKUHO NAGE Nuki Uchi.

SHURIKEN JUTSU

TOGAKURE RYU

NINJA WEAPONS

KUSARI

HIYA FLECHAS ARDIENTES

WEAPONS

Kyoketsu-SOGEI

A gun as versatile as any of the Kama Ninpoun arms with a rope at the end and adapted to finalde it an iron ring of large dimensiones.Su technique could be up or down from somewhere, asícomo immobilize the enemy with the rope and the ring, killing him with the edge or just hiriéndolo.Se says it was created by a samurai guarding a temploal unable to draw his sword, this weapon development.

The straight ninja-to

was used during the Nara period (710-760 AD.) was then used to ninja-curve, coinciding with the progressive implementation of katana.El ninja-to is mostly used with one hand, allowing a wider scope. The grip is also different. The blade measures 54 to 55 cm. The tsuba is slightly larger and thicker than conventional, but the same design to avoid attention. The Sage and Kojiri are different: the first is longer than usual and has its specific use (Sage Jutsu Nana) and the second steel is very strong echo.

Kusari-FUNDO

Chain of varying size with weight losextremos used to immobilize, estrangulardesarmar or simply to topple person or horse if headed for the legs / feet

MAKI-Bishi

Small iron spikes, arranged in one fell maneraQue always looking up. when a ninja want to hurt his pursuers threw them behind him and they crossed the sandaliasechas straw retained the prosecution, also launched in the face produced wounds.

NINJA WEAPONS

KUSARI

HIYA FLECHAS ARDIENTES

KATANA

The detailed study of Japanese swords is a difficult process and tiempo.Hay consuming process to examine the blade of a Japanese sword and is used in the practice of Kantei NYUSATU. In Kantei sessions, is presented to a participant a sheet with any registration that may be on the Nakago cover and he must guess the name of smith. The procedure for Kantei is as follows:

Sugata first or shape of the blade must be examined. The form must appear strong, the natural curvature and KISSEKI must be in proportion to the length and width of the blade. The MUNE or back of the blade must also be reviewed in its shape and height. When examining the Sugata can provide much information about the age of the blade until the region was made. However, if the blade has a good shape and is comfortable in hand, there is a good chance to be of good quality. It is impossible for a good sword has a bad shape unless it has been altered, damaged or repaired in any way. This happens frequently and is very important then imagine UBU (unchanged) in the next area to be studied hoja.La is HAMON, often known as the next "warm". This is where the sword has been pressed to form an area of high carbon content to maintain a sharp side. It should be noted in contrast with the body of the sword. The Hamon can have an infinite number of patterns, but it is a milky white in a polished sword properly. The top edge should be formed by HAMON small martensite crystals called NIE. Sometimes they are too small to see with the naked eye and are then called Nioi. The NIE and the surrounding Nioi and HAMON HAMON form the pattern should be examined closely, ideally holding the blade at eye level and backlit. The Nioi-guchi (HAMON line) should be a sustained and unbroken from the area of MACHI (TSUBA leaf background) to the end of it. A break in the Hamon is a serious flaw and should be avoided; called Nioi-giri. It is also important that the Boshi (HAMON area within the KSSEKI) cntinúe over the edge. This is also a serious flaw and is only allowed swords historical and cultural importance. Exceptions are not accepted in this punto.Si the HAMON Sugata and pass the test, the sword should be good, however, we must ensure that the sword is handmade and not mass produced cleverly as a SHOWATO (mass produced during the Second World War). This ensures examining and Jihada JIGANE well. The JIGANE the steel with which the sword is and can show subtle changes in color and texture while Jihada is the pattern of JIGANE surface caused by the forging process, accentuated by polishing. The Jihada parking as wood grain and is described by its type and size (eg KO-Mokum, "little puff"). There are many criteria for judging the quality of Jihada. Sn explanatory but for the purpose of this essay, I think it suffices to say that if the present is Jihada a sword forged mano.Mientras do this thorough examination, faults or errors will become visible. Some of these are more acceptable than others, depending on the age of the leaf. In other words, a sheet of XII century may have some defects that would not be tolerated in a modern piece. However, all faults or weaknesses obviously reduce the beauty and value of a leaf. Look for holes or air bubbles that may indicate or impurities that were introduced during the forging process and may be under the surface of the leaf. Also check the HA-SAKI (edge) looking hairline cracks that will edge the Hamon called HA-GIRI. These are serious failures caused by misuse of the sword in the cut. At the height of HA-GIRI would double or break. The HA-giri is not acceptable under any circunstancia.Finalmente Nakago inspection begins. The Nakago a good sword should always be finely finished. Slippage should be of good color and rust should not be cleaned under any circumstances. If you have any inscription, this will be of great interest. A good MEI will be carefully and skillfully written confidential, not sloppy, shaky or dubious. Almost does not matter if someone can read it (most Japanese can not read kanji in the inscriptions of ancient swords) while etching seguro.Por look confident and I will refer to last a couple of points that can avoid committing error costs. Most of the swords found in the West are of above-TO SHOWA. These were made in the Showa period (1926-1989) and the vast majority were manufactured in mass by the imperial army and navy during the Pacific War. These swords are not considered real NIHON-TO and seen as a reflection of the recent past Japanese militarism, they are still illegal in Japan. The Showa-to reasonably easily recognized by their small labels on the Nakago (usualemte SEKI or show) and are often signed with sloppy and careless character. There is often an inch or more blunt (known as UBU-HA) is found just above the HABAKI. These heavy and clumsy swords are usually found in Gunter (army). Generally military appeal to collectors and not recommend for practicing Iai or the serious study of Japanese Art at the armas.Habiendo said, I must add that during the Showa period, there were several blacksmiths were very thin sheets. There are also a few questions that leaves leaves family were traditionally made.

KATANA

YARI

kamayari

Introduction.

Historically, the spear was one of the weapons used by warriors of different cultures before the advent of firearms in Japan is known by the name of Yari (spear) and was, without doubt, one of most versatile and weapons used by ancient warriors in the battlefield. Although its origins date back to ancient times, its use became effective during the civil wars known as the Sengoku Jidai. In truth it was in this period that emerged most of the Ryu-Ha to be found in the Bugei Ryu-Ha Bujutsu (registration of martial arts schools in Japan) and where he developed strategies and all forms of combat.

Origins.

Formerly the mounted warrior (samurai) used the bow and arrow as a main weapon and had to have an important skill to take advantage of its effectiveness. This was gradually changing with the emergence, more numerous, the Ashigaru (infantry) and attacking the mounted warrior among several and this is making it impossible to maneuver the bow and arrow at a constant speed download, so most often ended up dead. One of the most innovative was the arming of the warrior with a spear (Yari) which was effective penetration of an arrow and the versatility of movement of a stick, so this decision tipped the balance toward the mounted warrior, the mims Ashigaru time also began training in the use of Yari and end up being the main weapon as it was one of the most effective ways to stop the horses and take away the enemy. Later came the great masters of schools and Sojutsu that were perfected in use until the late Tokugawa era.

Warriors and Yari's first warrior spears were used tea mochi-yari-yari and that ranged from three to four feet to the handle (shaft), while the size of the leaves varied between 10cm. medio.Una metro and evidence of this is the tremendous mochi-yari Hanzo Hattori, which is preserved in the Sain-Ji temple in Tokyo. The mochi-yari (spear leaf long) Hattori Hanzo (Yari no Hanzo), which was his main weapon on the battlefield, had a total length of 4.38 meters which corresponded to 3.1 meters and 1.28 meters pole corresponding to sheet (which was 5 inches wide) and the total weight of the weapon was about 12 kg. With these dimensions, the yari Hanzo was one of the largest that could be seen on the battlefield.

On the other hand, the spears with large antlers or mango leaves were generally small and many of these were designed with a cross as in the case of Kato Kiyomasa spear, which is preserved in the temple in Kumamoto Hommy-Ji . Ishino Jena was a master of the long sword, Lishin Wakasanokami was a master of Ryu Shin Bokuden Sojutsu and Tsukahara (1490-1571) founded the school Kashima Shinto Ryu and Kang Yuzaemon Honma taught art and espada.Kamizumi sojutsu Nobutsuna was recognized as the number one master of the spear in Ueno Kuni.Dos no expert warriors in the use of the spear during this period were Lishin Choisai (1387-1488) who founded in Tenshin Shoden Katori Shinto Ryu Matsumoto and his student Noakatsu Bizenno-Kami, general clan Kashima, who fought in 23 battles testing the art taught by his teacher and is reputed to have taken possession of more than 100 head.

Another soldier was important yari Yorinori Kensuke Yamamoto, who was one of the generals of the Takeda clan and said he trained in the art of cutting sojutsu water currents that arose, which gave name to his school Doki Ryu.

Yari types and their characteristics

The total size of yari clan depended exclusively on the needs of the general in charge, the average size of a yari was 3 ken (a ken equivalent to 1.6 meters, then changed to 1.8 meters), so the size of poles of these spears would be of 4.8 different types of yari metros.Los commonly used are:

Te-yari (between 90 cm and 1.2 m)

Nagae-yari, spear shaft long and short blade

Mochi-yari, spear and horn short longleaf

Tetsu-yari, spear of iron.

Kama-yari, spear with a crescent shaped blade on the side of the main sheet.

Jumonji yari-launches with three leaves and their different ways [fig. (B)].

-Kikuchi yari, spear in one hand edge of the blade (looks like it was somewhat embedded in the suit). This type of spear was used extensively by the Kikuchi clan (hence the name) of the region during the wars of Fig Nambokucho period (1336-1392)

Sambo-yari, spear three lengths.

Kuda-yari, spear shaft sheathed in a metal tube.

Kagi-yari, spear hook

-I Jiri yari, spear-shaped blade

Tsuki-yari, spear-shaped moon

Futamata-yari, spear with a kind of tsuka

The Bujinkan Dojo in Yari.

The yari, like many other weapons, was widely used by the ancient warrior shinobi. In many cases, the yari was improvised with a stick of bamboo with one end split and putting a sharp blade and even a bamboo leaf itself, in others it was transformed into a sanyakubo (Hanbo) when the yari was cut by a enemy weapon. Rarely yari spear was used as a ninja but did not rule out any possibility in its utilización.Se known of old chronicles and legends that Sarutobi Sasuke kamayari used to use his climbing and jumping from tree to tree. Another famous ninja Hattori Hanzo was promptly named, who had been recognized as Hanzo "the magnificent lancer" for his strength and courage in the field of batalla.Muchos of the great masters of the sword, yari recognized the effectiveness and not rule out its usefulness and became masters to-so justu (sword and spear).

Hatsumi Sensei explained in his book on jutsu so the following:

"... When the soldiers had to fight a warrior who had armor (Yoroi), helmet (kabuto), the use of yari give them an advantage over the use of the sword. It was relatively difficult to get through with a sword or the kabuto yoroi a warrior, but a yari could do this quite easily and at a considerable distance, besides having the ability to also cut. That's why the soldiers realized that the yari was 10 times more effective than a sword ... "

YARI

BO JUTSU

hanbo , tanbo, tan sai bo

ARTICULO OFRECIDO POR BUJINKAN FRANK DOJO

Jo JutsuEl Japanese art of stick

Throughout the history of ancient Japan have developed many weapons, always seeking supremacy in the battlefield as well as in life situations were cotidiana.Se have found a very remote iron rod known as Ishi Jo. Due to excessive weight can not be certain that they had been used as a weapon, the possibility exists that have been used as elements of a job training or farming.

As for the long cane, have not been found - according to records - articulated in the management styles of the same until the eighth century. We should also consider that fighting with a cane, stick or club has historically been one of the primary ways that humans used to resolve any dispute or defend agresiones.Los canes were a very common among Chinese Buddhist monks, they used them between support for things like long walks, pilgrimages and as weapons of defense. These monks were, in part, the introducers of this weapon on Japan. It was taken by the monks Sohei, implementing changes based on your knowledge and needs, was also transferred either to the common people of the society of those times.

As the story progressed through long wars and conflicts, the Samurai and the elite soldiers trained in the arts that they considered more noble and honorable as being a sword, bow, horse riding, spear, among others. Being low cost and be available to individuals of low rank or social status, the staff was not well seen by the high class Samurai. Usually low-income individuals, other warrior classes or occupation, agreed to everyday items to defend themselves and control their enemies, and this circumstance was the most ingenious in the matter of creating from nada.Por other hand, certain moments in history, any kind of weapon owned by the wrong person was a matter of serious crime that could lead to death of any individual.

Toyotomi Hideyoshi (1536-1598) strongly suppressed any insurrection. He revived the old difference between the Samurai warrior caste, and the rest of the population, introducing restrictions on the ability to bear arms. This was called "hunting swords Hideyoshi" and issued under the rules, only the Samurai were privileged to wear two swords: a short sword (which anyone could carry) and the long sword, only allowed the Samurai and distinguished them from the rest of the population.

Muso Gonnosuke (seventeenth century), renowned samurai of Katori Shinto Ryu school, was an expert in the bo jutsu and Kashima Ryu school study. As the story goes, he went to Edo to test their martial arts and was never defeated. One day, he met the legendary Kenshi (Swordsman) Miyamoto Musashi, a true master in the art of two swords and creator of the Niten Ryu school. Both men fought to measure their skills (common events at the time) was that their weapons clashed furiously in the air, but Miyamoto executing a cross and defeated Gonnosuke. Miyamoto, who was a gentleman and amazed at the courage of Gonnosuke spared his vida.Gonnosuke, frustrated by his defeat, he retired to Mount Honma of Kyushu in southern Japan. There on the mountain top with discipline devoted to meditation and ascetic life. According to tradition, Gonnosuke received a divine message saying: "Be cognizant of the vital points with a log." Through this message designed a handgun, the harder white oak and called her "Jo". Maybe, just might have cut his bo ... then trained hard until he perfected his school and named it "Shindo Muso Ryu." Again faced Musashi, which was defeated, and as this did once spared his life. From here Shindo Muso Ryu school Jo Jutsu conviertió in a very famous and studied for many Samurai of the time, since he had left evidence that could - as thoughts and beliefs of that time - beating with a stick wood to a metal sword.

Jo methods derived from different Jutsu Ryu Ken Jutsu, Jutsu and Naginata Yari Jutsu, which provided forms the basis for a weapon that eventually became independent, and forming their own teachers, supporters and size víctimas.El a Jo depends, like the bo, the person using it. The measurement is taken about the length of the floor to the armpit, or you can make raising your arms at 45 degrees oak head and the distance is between the two hands is the size for each. We can also note that approximately the length of Jo is equal to Daito, exotic weapons larga.Unas sword of iron or wood club as they were called Kanab. They were about 5 feet, octagonal and often had blemishes on much of its length. Definitely a hit with this weapon could be devastating, especially against an enemy with armor, but its total length and weight could suggest that they were mostly used for the different intimidar.Dentro Ryu Bujinkan Dojo has, developed as weapons of staff, the Hanbo, Bo, Jo, Shikomi Zue, among others. From school Kukishinden Ryu can investigate some of these weapons and see that they were created later and systematized from a loss or accident at the military events of época.Simplificando the subject, the birth of the Bo Jutsu Kukishinden school coming off a loss using a cut and the Hanbo Naginata after being cut a Yari in the field of battle. With regard to Ryu Jo Jutsu Kukishinden not found any reference to his birth might think that the supplement provided by this weapon with an intermediate distance between Bo and Hanbo has attracted masters of the time to incorporate it as an instrument most of their training.

Paradoxically, the losses were moments of creation and inspiration by teachers warriors of those times.

VISIT THE MOVIES OF Takamatsu demonstrate the use of BO

http://bujinkankyuvideos.blogspot.com/search/label/BO